Panning for a future which doesn't cost the earth ( who is LAF?)

By DON'T dis US



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Max Birne

By DON'T dis US
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By Phillip Worth (FPS President) The Open Studios movement has been a welcome development in the art world in recent years. Typically based on specific areas, be they counties, cities, districts or whatever, it involves artists inviting members of the public to visit their studios, to meet and talk with them, and to view their output. And it is always an added attraction if they can see artists at work. The area of West Sussex centred on Chichester has a particularly lively tradition, and is rich in creative talent, as the writer discovered on a recent visit. The occasion for this was to renew acquaintance with Max Birne, a former FPS personality, who has recently moved house from Wembley, where he had lived for many years, to Selsey, near Eric Coates’s ‘Sleepy Lagoon’. After the move Max lost no time in building himself a conservatory/studio at the rear of his bungalow and it was here that he entertained visitors during ‘Open Doors 2008’, a mandatory stop on the Chichester ‘Stud...
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UNPRECEDENTED COALITION FROM THE ARTS CONDEMNS BP SPONSORSHIP OF THE TATE

By DON'T dis US
171 FIGURES FROM THE ARTS SIGN LETTER ON THE DAY TATE CELEBRATES 20 YEARS OF BP FUNDING A letter was published today signed by 171 figures from the art world condemning BP's sponsorship of cultural institutions in the UK. The letter has been published on the day that Tate Britain is hosting a party to celebrate 20 years of BP's sponsorship. [1] A group of artists under the banner of 'The Good Crude Britannia' are planning on protesting outside the event, and will be handing out the "Licence to Spill' briefing to people attending the party. [2] Arts/activist organisation Platform [3] has gathered 171 signatories from the international arts community, for a letter that says: "As crude oil continues to devastate coastlines and communities in the Gulf of Mexico, BP executives will be enjoying a cocktail reception with curators and artists in the Tate Britain. These relationships enable big oil companies to mask the environmentally destructive nature ...
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